

Roberta Gennuso, Stefano Vivaldini
Roberta Gennuso
This interpretation of "Over the Rainbow" honors the timeless beauty of the original melody while exploring the unique expressive possibilities of the classical guitar. The arrangement allows the instrument to sing with all its warmth and resonance, transforming this familiar tune into an intimate conversation between the guitar and the listener.
Over the Rainbow marks a significant moment in my musical journey—a return to the pure, intimate voice of the classical guitar after a period of exploration and self-discovery. This beloved classic, originally written by Harold Arlen with lyrics by Yip Harburg for The Wizard of Oz, has touched hearts for generations with its message of hope and the belief that dreams can come true.
This recording represents more than just a beautiful melody; it embodies a personal journey of rediscovery. After experimenting with singing and performing at venues like the Soave Guitar Festival and TEDx, I found myself drawn back to what had been calling me all along—the voice of the classical guitar. It was a call I couldn't ignore, one that demanded my full attention and dedication.
Creating this recording was a labor of love that required patience, persistence, and a commitment to achieving the sound I had envisioned. After months of struggling to capture the quality I imagined, I realized that my studio space needed transformation. I invested in acoustic treatments, carefully addressing the room's acoustics to ensure the microphones could capture a cleaner, more natural sound—free from unwanted reflections and colorations.
This process was long and demanding, but absolutely essential. Every panel placed, every adjustment made, brought me closer to revealing the true voice of my guitar. The result is a recording that finally captures the intimate, nuanced sound I had been hearing in my mind—a sound that speaks directly to the heart.

A la Santaninfara
Roberta Gennuso, Stefano Vivaldini

Dusk or Dawn?
Roberta Gennuso, Stefano Vivaldini

Evocación
Roberta Gennuso, José Luis Merlin

Prelude No. 1 in C Major, Ponce
Roberta Gennuso

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AKG C414 XLII
My favorite large-diaphragm condenser for classical guitar intimacy

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AKG C 451 B
The small-diaphragm condensers I use to capture room and ambience, paired with the AKG C414.

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Focusrite Clarett+ OctoPre
Mid-tier quality that punches above its price

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Studio headphones
The soft earpads I use for long sessions without ear fatigue.

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Focusrite Clarett+ OctoPre
Mid-tier quality that punches above its price